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・ Pierre-Joseph Bernard
・ Pierre-Joseph Bourcet
・ Pierre-Joseph Cambon
・ Pierre-Joseph Candeille
・ Pierre-Joseph Dedreux-Dorcy
・ Pierre-Joseph Desault
・ Pierre-Joseph Destrebecq
・ Pierre-Joseph Habert
・ Pierre-Joseph Lion
・ Pierre-Joseph Proudhon
・ Pierre-Joseph Ravel
・ Pierre-Joseph Redouté
・ Pierre-Joseph Thoulier d'Olivet
・ Pierre-Joseph Tiolier
・ Pierre-Joseph van Beneden
Pierre-Joseph-Guillaume Zimmermann
・ Pierre-Joseph-Marie Chaumonot
・ Pierre-Joseph-Olivier Chauveau
・ Pierre-Jules Boulanger
・ Pierre-Jules Cavelier
・ Pierre-Jules Hetzel
・ Pierre-Jules Mêne
・ Pierre-Julien
・ Pierre-Julien Gilbert
・ Pierre-Julien Leclair
・ Pierre-Julien-Léonidas Bissonnette
・ Pierre-la-Treiche
・ Pierre-Lambert Goossens
・ Pierre-Laurent Aimard
・ Pierre-Laurent Brenot


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Pierre-Joseph-Guillaume Zimmermann : ウィキペディア英語版
Pierre-Joseph-Guillaume Zimmermann

Pierre-Joseph-Guillaume Zimmermann, (17 March 178529 October 1853), known as Pierre Zimmerman and Joseph Zimmermann, was a French pianist, composer, and music teacher.
==Biography==
Zimmermann was born in Paris, the son of a piano maker. He attended the Paris Conservatory in 1798, studying piano with François-Adrien Boieldieu; while a student there, he won first prizes for piano in 1800 (Friedrich Kalkbrenner came second)〔Grove's Dictionary of Music and Musicians, 5th ed., 1951〕 and harmony in 1802. He would later study under Luigi Cherubini. Zimmermann became a piano assistant at the Conservatory in 1811 and a full professor there in 1816, serving until 1848; he refused a position as a professor of counterpoint and fugue in 1821. Among his students were Charles Gounod (who married one of his daughters),〔 Georges Bizet, César Franck, Charles-Valentin Alkan, Ambroise Thomas, Louis Lacombe, Alexandre Goria and Lefébure-Wély. In 1842 he denied Conservatory admission to 13-year old Louis Moreau Gottschalk without an audition on account of Gottschalk's American nationality, commenting that "America is a country of steam engines". Zimmermann was often assisted in his teaching by Gounod.
Zimmermann wrote two operas, ''L'enlèvement'' (Opéra-Comique, 1830) and ''Nausicaa'' (never staged). He also composed two piano concertos, one piano sonata, and numerous other works for piano. His most important legacy is considered his ''Encyclopédie du pianiste'', a complete method of piano playing, including a treatise on harmony and counterpoint.〔
He died in Paris and is buried in the Auteuil Cemetery in the 16th arrondissement.

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